Jesusonic Documentation
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* [http://jesusonic.com/help.html Coding Documentation] | * [http://jesusonic.com/help.html Coding Documentation] | ||
+ | |||
+ | == The SStillwell JS Collection == | ||
+ | These are some of the most interesting and versatile plug-ins available in the Jesusonic Collection. | ||
+ | |||
+ | '''3x3''' - 3-band eq with harmonic enhancement | ||
+ | |||
+ | '''4x4''' - 3-band eq with harmonic enhancement (different style of enhancement) | ||
+ | |||
+ | '''1175''' - Fast-attack compressor, similar in style to a UREI 1176. | ||
+ | |||
+ | '''autoexpand''' - Downward expander with program-dependent attack/release. | ||
+ | |||
+ | '''chorus''' - What it says | ||
+ | |||
+ | '''chorus_stereo''' - What it says | ||
+ | |||
+ | '''delay_pong''' - What it says (okay, it's PING-pong, okay? Sheesh.) | ||
+ | |||
+ | '''delay_tempo''' - Delay with optional tempo synchronization. | ||
+ | |||
+ | '''dirtsqueeze''' - Compressor that adds quite a bit of grit and distortion | ||
+ | |||
+ | '''drumtrigger''' - Plugin that generates MIDI trigger from sound input, optionally passing the dry audio signal as well | ||
+ | |||
+ | '''eventhorizon''' - non-lookahead limiter that simply rounds off and truncates peaks. | ||
+ | |||
+ | '''exciter''' - HF boost/enhancer | ||
+ | |||
+ | '''expander''' - Downward expander with manual attack/delay times. | ||
+ | |||
+ | '''expressbus ''' - Compressor...meant to be used on buss signals. | ||
+ | |||
+ | '''fairlychildish''' - Emulation of SOME of the features of a Fairchild 670. | ||
+ | |||
+ | '''flangebaby''' - Flanger | ||
+ | |||
+ | '''hpflpf''' - steep high-pass & low-pass filters in a single plug | ||
+ | |||
+ | '''hugebooty''' - LF frequency enhancer...adds upper harmonics to LF content | ||
+ | |||
+ | '''louderizer''' - Psychoacoustic loudness enhancer | ||
+ | |||
+ | '''louderizer_lpf''' - Psychoacoustic loudness enhancer (with LPF to choose what frequencies are affected) | ||
+ | |||
+ | '''majortom ''' - Compressor, ala dbx160 VU (old model) or kinda like an LA2A when in Feedback mode. | ||
+ | |||
+ | '''mastertom''' - Same as majortom, different algorithm, slightly different sound. | ||
+ | |||
+ | '''ozzifier''' - Multi-voice chorus/delay...you'll recognize it. | ||
+ | |||
+ | '''randomizer''' - Randomizes midi input...useful for taking signal from drumtrigger and using multiple reasamplomatic instances to trigger multiple snare samples, avoiding machine-gun triggered snare sound. | ||
+ | |||
+ | '''rbj4eq''' - 4-band EQ | ||
+ | |||
+ | '''rbj7eq''' - 7-band EQ | ||
+ | |||
+ | '''rbj1073''' - 3-band EQ with HPF, same feature choices as Neve 1073. | ||
+ | |||
+ | '''realoud''' - Psychoacoustic loudness enhancer, with different algorithm than louderizer. | ||
+ | |||
+ | '''realoud_lpf''' - Same relation to realoud as louderizer_lpf is to louderizer | ||
+ | |||
+ | '''thunderkick''' - LF enhancer...adds in subharmonics to enhance lowest octaves. Note: does NOT work well with pitched instruments. Mostly useful for kick drum. | ||
+ | |||
+ | '''volscale''' - Think of it as a MIDI compressor...scales output volume range and adds/removes gain. | ||
+ | |||
+ | === FAQs === | ||
+ | = Fairlychildish = | ||
+ | The adjustable settings on this interesting compressor are threshold, bias, AGC, Time constant, and Level Detector RMS window. There are two non-adjustable settings "current comp ratio" and "gain reduction", which move automatically with the program singal. | ||
+ | Here is a rundown of how to use fairlychildish | ||
+ | |||
+ | '''With the bias set low and the threshold set to *just* catch peaks''' | ||
+ | you get fairly hard ratios (30:1 etc) - and as you lower the threshold, the ratio goes up a LOT - to like 300:1 ... and the sound of the compression is rather punchy - which is interesting. | ||
+ | |||
+ | '''with the bias set high and the threshold just catching the peaks''' | ||
+ | you get extremely gentle compression, with the ratio fluctuating from around 1.1 to 3:1. As you lower the threshold, the ratio goes up ... to around the 15:1 mark give or take. | ||
+ | |||
+ | '''Time constant''' | ||
+ | I can't explain what it does, but I know that setting it higher gave some really nice, smooth results - even on the harder compression settings. It reminded me of the waves SSL G-comp. (I remember someone saying something about not wanting the SSL comp after hearing one of Scott's plugins ... I wonder if this was this the one?) | ||
+ | |||
+ | '''AGC''' | ||
+ | This is the 'auto gain compensation', and is adjustable between Left/Right and Lat/Vert. the difference seems very subtle between the two, and the default is Left/Right. | ||
+ | |||
+ | '''the level detector rms window slider''' | ||
+ | When this is set very low, it yields considerably less compression than when it is set high. Setting it high (say, over 1 second) would be interesting for musical compression while setting it low might work for soft limiting. |
Revision as of 22:46, 9 February 2007
Contents |
Jesusonic Documentation
The SStillwell JS Collection
These are some of the most interesting and versatile plug-ins available in the Jesusonic Collection.
3x3 - 3-band eq with harmonic enhancement
4x4 - 3-band eq with harmonic enhancement (different style of enhancement)
1175 - Fast-attack compressor, similar in style to a UREI 1176.
autoexpand - Downward expander with program-dependent attack/release.
chorus - What it says
chorus_stereo - What it says
delay_pong - What it says (okay, it's PING-pong, okay? Sheesh.)
delay_tempo - Delay with optional tempo synchronization.
dirtsqueeze - Compressor that adds quite a bit of grit and distortion
drumtrigger - Plugin that generates MIDI trigger from sound input, optionally passing the dry audio signal as well
eventhorizon - non-lookahead limiter that simply rounds off and truncates peaks.
exciter - HF boost/enhancer
expander - Downward expander with manual attack/delay times.
expressbus - Compressor...meant to be used on buss signals.
fairlychildish - Emulation of SOME of the features of a Fairchild 670.
flangebaby - Flanger
hpflpf - steep high-pass & low-pass filters in a single plug
hugebooty - LF frequency enhancer...adds upper harmonics to LF content
louderizer - Psychoacoustic loudness enhancer
louderizer_lpf - Psychoacoustic loudness enhancer (with LPF to choose what frequencies are affected)
majortom - Compressor, ala dbx160 VU (old model) or kinda like an LA2A when in Feedback mode.
mastertom - Same as majortom, different algorithm, slightly different sound.
ozzifier - Multi-voice chorus/delay...you'll recognize it.
randomizer - Randomizes midi input...useful for taking signal from drumtrigger and using multiple reasamplomatic instances to trigger multiple snare samples, avoiding machine-gun triggered snare sound.
rbj4eq - 4-band EQ
rbj7eq - 7-band EQ
rbj1073 - 3-band EQ with HPF, same feature choices as Neve 1073.
realoud - Psychoacoustic loudness enhancer, with different algorithm than louderizer.
realoud_lpf - Same relation to realoud as louderizer_lpf is to louderizer
thunderkick - LF enhancer...adds in subharmonics to enhance lowest octaves. Note: does NOT work well with pitched instruments. Mostly useful for kick drum.
volscale - Think of it as a MIDI compressor...scales output volume range and adds/removes gain.
FAQs
Fairlychildish
The adjustable settings on this interesting compressor are threshold, bias, AGC, Time constant, and Level Detector RMS window. There are two non-adjustable settings "current comp ratio" and "gain reduction", which move automatically with the program singal. Here is a rundown of how to use fairlychildish
With the bias set low and the threshold set to *just* catch peaks you get fairly hard ratios (30:1 etc) - and as you lower the threshold, the ratio goes up a LOT - to like 300:1 ... and the sound of the compression is rather punchy - which is interesting.
with the bias set high and the threshold just catching the peaks you get extremely gentle compression, with the ratio fluctuating from around 1.1 to 3:1. As you lower the threshold, the ratio goes up ... to around the 15:1 mark give or take.
Time constant I can't explain what it does, but I know that setting it higher gave some really nice, smooth results - even on the harder compression settings. It reminded me of the waves SSL G-comp. (I remember someone saying something about not wanting the SSL comp after hearing one of Scott's plugins ... I wonder if this was this the one?)
AGC This is the 'auto gain compensation', and is adjustable between Left/Right and Lat/Vert. the difference seems very subtle between the two, and the default is Left/Right.
the level detector rms window slider When this is set very low, it yields considerably less compression than when it is set high. Setting it high (say, over 1 second) would be interesting for musical compression while setting it low might work for soft limiting.